Rotten Tomatoes: 97%

Movie Meter: 8/10

Release: 2026

Genre: Horror

Available: Theatres

Obsession is built around one of the oldest cautionary tales in storytelling: be careful what you wish for. The film follows a man who makes a seemingly simple wish, that his crush will “love him more than anyone in the world.” What follows is a disturbing descent into obsession, control, and the consequences of getting exactly what you asked for.

What impressed me most about Obsession is how it tackles themes that horror movies rarely explore this effectively. Yes, the movie is about obsession, but it’s also a sharp examination of codependency, manipulation, greed, and toxicity in relationships. I’ve never seen a film approach these subjects quite like this. Rather than relying on demons, zombies, vampires, or other traditional horror tropes, Obsession turns the wisher himself into the true monster. The horror comes from human desire taken to its absolute extreme, and that makes the movie feel far more unsettling than many supernatural horror films.

The acting is incredible across the board, but Inde Navarrette absolutely carries the film as Niki. She brings so much emotion, unpredictability, and authenticity to the role that even when the story gets darker and more uncomfortable, you’re completely invested in what happens to her. Her performance is the backbone of the movie and elevates every scene she’s in.

The plot gets a little iffy at times, especially in the latter portions of the film, and there are moments where the story doesn’t fully stick the landing. Still, those issues are easy to overlook when you consider the bigger picture. This is the feature directorial debut of a 26-year-old filmmaker whose background is primarily in social media comedy. The fact that someone with no previous feature film directing experience was able to create a horror film this ambitious, unique, and effective is genuinely impressive.

More than anything, Obsession feels like a positive sign for movies in general. It proves that fresh voices can still bring original ideas to the genre and create horror that isn’t just about monsters lurking in the dark. Instead, it explores the darkness that comes from greed, possessiveness, and obsession; and it does so in a way that feels genuinely original.

Obsession isn’t perfect, but it’s one of the most interesting horror films I’ve seen in a long time, and it’s an extremely impressive debut from a young director who clearly has a bright future ahead of him.

Rotten Tomatoes: 93%

Movie Meter: 8/10

Release: 2025

Genre: Sport/Drama

Available: HBO

Marty Supreme

Marty Supreme is both original and intense. The story feels fresh and unpredictable, constantly pulling you deeper into its world while keeping the tension high from beginning to end. What really makes the movie stand out is the acting. Timothée Chalamet delivers an incredible performance and continues to prove why he is one of the best young actors working today. He brings so much energy and emotion to the role that every scene feels authentic and gripping.

The film is directed by the Safdie brothers, the same directors behind Uncut Gems, and you can absolutely feel their signature style throughout the movie. Just like Uncut Gems, Marty Supreme is equally intense, chaotic, and anxiety-inducing in the best possible way. The pacing, cinematography, and soundtrack all work together to create nonstop tension that keeps you completely locked in.

Overall, I really liked Marty Supreme. Between the original story, outstanding acting, and the Safdie brothers’ direction, it’s a movie that stands out from most modern films and leaves a lasting impression long after it ends.

“Him”

Rotten Tomatoes: 28%

Movie Meter: 6/10

Release: 2025

Genre: Social Horror

Available: Theatres

Him is not your typical sports movie, it’s an unflinching, anxiety-inducing dive into the psyche of a man who refuses to accept limits. The film follows Cam Cade (Tyriq Winters) a rising football star whose relentless pursuit of greatness demands that he sacrifice everything; family, friends, even pieces of himself, in the name of becoming the best.

At its core, Him is a brutal character study. It’s dark, emotionally suffocating at times, and lingers with you long after the credits roll. For some viewers, that intensity has translated into polarizing reviews. Much of the criticism has centered around the film’s unapologetically masculine tone, what some might label “toxic.” But to dismiss it on those grounds alone is to miss the bigger picture: Him isn’t glorifying destruction, it’s dissecting it.

The performances are what elevate this story into something special. Marlon Wayans delivers what is hands down the best performance of his career, gone is the comedic edge audiences know him for, replaced with a raw, haunted intensity that makes him nearly unrecognizable. And Cam Cade (Tyriq Winters) a newcomer, is purely magnetic. His talent is undeniable, and this role proves he’s an actor to watch in the years ahead.

Director/writer Justin Tipping leans heavily into a bleak, high-pressure atmosphere that mirrors the suffocating demands of elite sports. The constant tension kept me on edge, making Him less of an inspirational sports flick and more of a psychological thriller, as advertised (sorry rotten tomato critics).

If you’re looking for a feel-good underdog story, this isn’t it. But if you’re ready for a film that digs into obsession, sacrifice, and the cost of chasing greatness, Him is a must-see.

To be completely honest I rarely give out high scores. Despite its’ less than stellar opening and not so great reviews, I felt this movie needed justification. 7/10 is not something I give out for free and must be earned (you’ll get the reference later). Thank you for reading amigos. Stay tuned for more takes on new films 🎥

“28 Years Later”

Rotten Tomatoes: 90%

Movie Meter: 7/10

Release: 2025

Genre: Horror/Thriller

Available: Theatres

Well, folks, Movie Matter is back, as is the rage virus and this time, in quality resolution! 28 Years Later picks up the undead baton from its predecessors (28 Days Later and 28 Weeks Later), which were let’s say outdated (28 fps). 

Let’s start with the basics: this movie is solid. The plot moves at a good clip, and while it doesn’t reinvent the zombie wheel, it does add some nice flame prints. There are twists. There are turns. There’s at least one “holy shit” moment that’ll make you question your underwear. 

The acting? Surprisingly, heartfelt for a movie that includes zombies. The cast gives it their all, and collectively make a hard to believe story believable. Special kudos to Aaron Taylor Johnson, who stole the film. I expect him to be a household name very soon.

Visually, the movie is gritty but stylish. Conceptually, it makes you question the food chain, and your role in it. Bottom line? 28 Years Later delivers. It’s not perfect, but it’s entertaining, well-acted, and just twisty enough to keep you guessing (and mildly anxious). The ending is something I won’t touch upon, but worth the hype. Looking forward to the sequel in 2026.

Overall, 7/10.